Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Oscar Bluemner
Snow and Glow

ID: 94751

Oscar Bluemner Snow and Glow
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Oscar Bluemner Snow and Glow


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Oscar Bluemner

German-born American Painter, 1867-1938,was a German-born American Modernist painter. He was born in Hanover, Germany. He moved to Chicago in 1893 where he freelanced as a draftsman. He relocated to New York in 1901. In 1910 he met Alfred Stieglitz, who introduced him to the artistic innovations of the European and American avant-garde. Then in 1915 Stieglitz gave him a solo exhibition at his gallery, 291.  Related Paintings of Oscar Bluemner :. | Cagne Valley | Astraea Leaving the earth | a romantic impression depicting handel making music at the keyboard with his friends. | Classical hunting fox, Equestrian and Beautiful Horses, 193. | Farewell |
Related Artists:
Juan Carreno de Miranda
English: Juan Carreño de Miranda (March 1614-September 1685) was a Spanish painter of the Baroque period. Español: Juan Carreño de Miranda (Aviles, 1614 - Madrid, 1685) fue un pintor español del siglo XVII, que destace en la Corte española de Felipe IV, y, sobre todo, Carlos II.
Emmanuel Herman Joseph Wallet
painted Fredegonde distribuant des poignards a deux assassins in 19th century
Thomas Jones
Thomas Jones (26 September 1742 - 29 April 1803) was a British landscape painter. He was a pupil of Richard Wilson and was best known in his lifetime as a painter of Welsh and Italian landscapes in the style of his master. However, Jones's reputation grew in the 20th century when more unconventional works by him, ones not been intended for public consumption, came to light. Most notable among these is a series of views of Naples which he painted from 1782 to 1783. By breaking with the conventions of classical landscape painting in favour of direct observation, they look forward to the work of Camille Corot and the Barbizon School in the 19th century. His autobiography, Memoirs of Thomas Jones of Penkerrig, went unpublished until 1951 but is now recognised as a major work of commentary on the 18th-century art world.






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